Leading off the “B-side” of the cassette we have the track which gave its name to our compilation vinyl released by Dödsdans Rekords a couple of years ago. I don’t know why the nice guys at the label decided on that name, but I quite like the title actually. Somehow it lends a nice atmosphere to the song, and it goes well with the sound.
We start off a bassline I don’t remember which synth it cam from. It doesn’t actually sound like any of our regular sounds, but it might have been the Roland Juno-1, since we were using that a lot during this time. During our The Nuclear Princess era we experimented a lot with sampling, and the intro has a submarine sonar sample going during the bass line. Then we immediately go into the beat and the very narrow pad, again I don’t really know what synth that is.
During the verse, I can hear a weird reverse-pad that is most definately a Juno-106. And we’ve got a slow verse which finishes in a hilarious turn which I know Anders hates and I am fond of. :) We only had one effect unit to use for the vocals, an Alesis Microverb. Since we really wanted the reverb in the chorus to be as large as possible, but we wanted a shorter reverb during the verse, we had to manually switch the effect during mastering, which makes the reverb “die” at the end of the first verse and start over in the chorus. It sounds weird, but somehow I think it just adds to the relative minimalism of the track.
During the break we take an actual break, and listen to sea gulls. Yep. That’s the kind of stuff we were into. I don’t remember why, or how, but the sea gulls are all alone on this track for a good 15 seconds and I guess we wanted to make the listener feel something. Do you?
All in all, not a very memorable song, and I think it could have been a lot better. The bass line is very nice, and the vocals are pretty good, but the drum beats are too monotonous and boring.
/Måns