Here we go, right after the somewhat weird intro to “Nowadays”, we are smack in the middle of classic synth-pop with the second track of this cassette, “I’m here”.
This is 100% Yamaha V50, but you can clearly hear that we’ve picked up some production tricks at the time, because the quite brutal arpeggio sound is lower during the singing and higher in the bridges. This must have been done using the V50’s sequencer, which feels impressive today.
The V50 also had quite a few nice built-in effects, and the “gate” effect was so heavily used on this track that it feels like the whole song was put through a dampening filter. You can hear another weird slap-back delay effect on the drums, still using only the V50. Drums was really the achilles heel of the V50, and I really think that’s why we started to think about using the Roland D-20 for drums while still wanting to use the bass sounds from V50. This led to having to learn how to hook our two machines up to each other using MIDI, which we’ll hear in later tracks on Nowadays.
The song then. It’s not bad, in fact it’s a nice synth-pop tune with some dramatic twists, like the weird “outro”. We were beginning to figure out different ways to sound “heavier” having begun shifting our musical influences from Erasure to Front 242 and Nitzer Ebb. This would have adverse effects on our song making later on, but at this time it simply meant we were very concerned with trying not to sound too childish.
The singing is OK, but I’m wondering if it was done in a rush. For some reason I can’t picture where we recorded this track, which I ususally am able to do. Especially on the high notes I think it sounds like I’m pushing it a little hard without hitting them. Of course I could just have been singing while running a cold. :)